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Nation : French
Local Price : £850.00

French Préval Sword. One of the rare Préval sabres inspired by Colonel Claude Antoine Préval, these swords were created to be a viable alternative to the standard cavalry sword at the time. Préval trailed this style of blade in the 1830s as he believed it made sense from a cavalry perspective, being light, strong and very stiff. Creating a sword which could function as both a sword and lance in combat. These were often used by Zouave and Chasseur d’ Afrique regiments from around 1855 onwardThe multi bar steel steel hilt has a long triangular sectioned blade with horn handleThe sword has some historical damage around the hilt, where it appears a previous break has been pinned and brazed.

Nation : French
Local Price : £850.00

Italian 1855 Model Sabre. Designed by the Turin-based sword maker Francesco Gravier in co-operation with the royal arms factory, this sword would become an iconic sword of Italy’s unification period military. Taking influence from earlier military patterns, it would remain in service until 1888.82cm long, 94cm overall and 3cm wide at the shoulders, the double fuller extends the length of the blade and it is engraved with stands of arms and the initials D DThe sword and handle are solid with no movement, and the blade and scabbard are free from marks or pitting.

Nation : French
Local Price : £850.00

French 1804 Imperial Guard Sidearm. A French 1804 Model Imperial Guard Sabre Briquet. Brass hilt having a single knucklebow design, leather grip lacking its brass wire. Single fullered steel

Nation : Japanese
Local Price : £850.00

**1600-1800 SHINTO PERIOD BLADE MODELLED ON ANCIENT 14TH CENTURY STYLE** RESTORATION PIECE**Japanese O Wakizashi / Uchi Gatana Single Handed Sword, Scabbard & Expert Assessment. ED 3017 -. This sword has been assessed by UK Japanese sword expert Bill Tagg. A copy of his hand written notes and illustrations accompany the sword. In extracts from his notes he states “O Wakizashi or Uchi Gatana single handed sword. Interesting but difficult to date. Based on a Nambokucho 14th Century shape. Probably a big flamboyant Shinto period 1600-1800 made sword, light enough for Shinto. Would look outstanding with a new polish. Hard to put a particular school or style. Has piece of brass soft soldered to end probably done by smith to improve balance when in use. Saya is Meiji period very dark red lacquer, oblique slash marks decoration with horn kuri kata & big patinated copper top and bottom plain fittings. Good condition overall. Faded copper habaki Meiji period. Tsuba Katana size oval patinated copper with Nanako dots and incised plant / leaf decoration late Meiji period. No school stands out, un-signed. Small assembly numbers on seppa. Tsuka plain wood, no Ray skin or menuki, simple re-bind by previous owner, needs fish skin and professional re-bind. Fuchi Kashira soft metal patinated copper pair with Kingfisher & boat riverbank scene very good quality & good condition Meiji period. A restoration piece”. In his illustrations Bill measures the cutting edge as just over 51 cms, total length 68.5 cms and describes other blade and tang measurements & characteristics which can be seen in image 2. As a restoration piece. The price includes UK delivery. ED 3017

Nation : British
Local Price : £850.00

British 1796 Pattern Light Cavalry Trooper’s Sword by Runkel, 1796-1800. Curved single-edged blade with single fuller and hatchet point. Brown leather washer, iron stirrup P-shaped hilt with sword knot slit, comma-shaped quillon, semioval langets, smooth iron backstrap with projecting ears secured to the tang through the grip with a single rivet, and integral pommel cap. Ribbed wooden grip covered with pressed black leather. Plain steel scabbard with two bands mounted with hanging rings. Blade 32½ inches in length, the sword 37½ inches overall. The spine of the blade is stamped with the maker’s mark ‘J. J. Runkel Sohlingen’, indicating the firm of John Justus Runkel. The blade is stamped in the fuller at the forte on one side with a crown over ‘1’, an inspection stamp indicating government property. The inside of the hilt is stamped near the ferrule with ‘D 80’. This was probably a weapon number, e.g. sword 80 assigned to D Troop. John Justus Runkel was a prolific importer (and occasionally, smuggler) of sword blades and completed swords from Solingen, Germany, into Britain. His business, operating from 1778 to 1808, sold primarily to the sword makers and retailers of London, undercutting British-based producers. The spelling ‘Sohlingen’ was used on Runkel’s blades until around the year 1800, when it was changed to ‘Solingen’, so this sword would have been made between the introduction of the Pattern in 1796 and 1800. The 1796 Patterns of cavalry sword were designed by John Gaspard le Marchant, and were a significant step forward in standardization over the more variable 1788 Patterns. Le Marchant gained first-hand experience of cavalry fighting in the Flanders campaigns of 1793-95, and decided that other forces, particularly their Austrian allies, had superior equipment and training to the British: “I have been busily engaged in making drawings of all the articles in the military equipages of our Allies which differ from our own… I have also paid particular observation to the mode of training the Austrian cavalry to the use of the sabre, in which their superiority over us is incredible.” Swords in particular needed to change, the existing types being in his view heavy and poorly balanced. For the heavy cavalry he recommended a near-copy of the Austrian Model 1775, while for the light cavalry, inspired by “the expertly used scimitar blades of the Turks, Mamelukes, Moors and Hungarians” Le Marchant argued for a lighter, shorter curved sword that could both cut and thrust. The design that emerged was in fact oriented to cutting: very broad bladed, more strongly curved and with a simpler profile than its predecessor the 1788. In a melee the Light pattern needed to be wielded skillfully to avoid wasting strikes on non-fatal areas, but could inflict grievous injuries, as an officer of the French Chasseurs recounted: “Out of every twenty blows aimed by them, nineteen missed. If, however, the edge of the blade found its mark only once, it was a terrible blow, and it was not unusual to see an arm cut clean from the body.” Le Marchant died in battle leading cavalry at Salamanca in 1812, but his swords carried on his legacy, in use with the regular Army until 1821 and with yeomanry units for decades longer. The 1796 Patterns were still in active use with yeomanry as of 1848, the 1821 Patterns being only very rarely introduced to them. The Prussian M1811 ‘Blucher’ sabre was a very close replica of the Light trooper’s pattern, and in India in particular the blade was a natural fit with an existing tradition of slashing sword technique. Spare blades can be found mounted into tulwar hilts, and swords produced for Indian cavalry units as late as the 1910s used a blade modelled on that of the 1796. The sword is solid in the hand with no movement or rattle to its parts. Its blade is bright, previously repolished with polishing marks overall and a few spots of dark patination along the spine. Its edge is very sharp, with visible sharpening marks on all of it. Multiple nicks of varying size to the edge, and multiple dents to the corners of the blade’s spine. The sword’s grip has a few worm holes – I can see two on one side, three on the other and one on the belly. Some appear to have been filled in at a later date. The leather covering of the grip is missing at its base next to the pommel, as well as in a strip next to the ferrule, the loss in each area exposing ribbed wood which has been painted black. The paint is a good colour match but matt, whereas the leather is glossy. The leather is otherwise quite sound with some handling wear to raised edges but good adhesion to the wood. The hilt, ferrule and backstrap have moderate patination and peppered light cleaned pitting. The pommel area has some scratches and spots of gouging creating small burrs. The scratches show up bright so may not be period damage. The scabbard has significant polishing marks with indented parallel lines visible across much of it – perhaps a buffing wheel or belt was used by a previous owner, who as noted above seems to have made efforts to refurbish the sword. Some small dents to the scabbard body, particularly along its spine, and two more noticeable dents on one side, one near the midsection and one just above the chape. None of these interfere with sheathing and drawing, which is smooth. One of the screws for the throat piece remains, the other has been lost. The steel of the scabbard has areas of light staining and speckled patination.

Nation : British
Local Price : £850.00

British 1845 Pattern Naval Cutlass, Post-1859 Type B, by Chavasse. Slightly curved, unfullered blade, leather washer, black-painted bowl hilt and ribbed grip, both cast iron, complete with black leather scabbard with steel chape and throat piece with frog stud, black leather frog. Blade 27 inches in length, the cutlass 32 inches overall. The blade is stamped at the ricasso with the maker’s mark ‘Chavasse’, indicating manufacture by Chavasse & Co, Birmingham. It is stamped on the other side with a small indistinct mark, possibly a crown inspection stamp. The rear side of the frog is stamped near the belt loop with a broad arrow and ‘I’ which is an Indian stores mark, as well as with a very small letter ‘V’ near the bottom edge. Experiments during the early 1840s for a new naval cutlass design to replace the venerable 1804 Pattern resulted in a design by George Lovell, the Inspector of Small Arms, being accepted in 1842. A fire at the Tower of London destroyed early stocks and the design did not enter service in bulk until three years later, hence being termed the 1845 Pattern, the initial production run lasting until around 1852. In December of 1859 and January of 1860, the War Office placed new orders for 17,000 cutlasses spread across eight British manufacturers. These were 1845 Patterns but with a modified hilt, sometimes called the Type B: slightly smaller than the original, with less of a swell to the grip towards the pommel, an oval steel strengthening piece between the grip and the hilt and the back edge of the bowl hilt upturned slightly towards the blade. 3,000 of this batch were ordered from Chavasse & Co, of which this example is one. It has its original brass-mounted leather scabbard, not the new model introduced in 1862 which featured a retaining spring. The blade is the original curved 27 inches long: many 1845s of both A and B types were converted to straight 25½ inch blades in the 1870s by shortening and reforging. This process was botched by a lack of proper heat treatment after the reforging, leading to blade failures in combat, the deaths of British sailors, a public outcry and a military procurement scandal. The original, unmolested 1845 was considered very successful, however, handling well compared to its bulky predecessor the 1804 and being simpler to manufacture. The blade is bright with patches of cleaned pitting, which affects the edge in places. The very tip of the blade has rolled (

Nation : British
Local Price : £845.00

Cavalry Troopers Sword, 1908 Pattern. Ref X3385. A 1908 Pattern Cavalry Troopers Sword. 42 1/2&157; overall, 34 &194;&190;&157; straight and narrow single edged blade with fullers, stamped at the forte with numerous &194;&160;government inspector´s marks, ´EFD ´, & numerous issue and reissue stamps, and ´08´ on the back edge. Steel bowl guard, shaped composition diced grips, with correct buff sword knot. Steel scabbard &194;&160;stamped ´ MOLE´ and ´15´ with numerous issue and reissue stamps, fixed suspension rings either side. Dated 1915. In very good condition.&194;&160;Original chemical brown finish.&194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; Images courtesy of West Street Antiques (https://antiquearmsandarmour.com/)

Nation : Japanese
Local Price : £845.00

**MINT**Late Edo Period Into 20th Century Japanese Samurai Nata Gardener’s Knife With Scabbard, Tasselled Cord & Expert Assessment. Sn 19377:6 19377:6 -. This knife has been examined by Japanese sword expert Bill tag, a copy of his assessment accompanies the knife. In his notes he describes the knife as “A very good quality example in practically mint condition. A very simple forged blade made by an artisan blacksmith with basic 2 or 3 folds to the blade, crudely polished with filed decoration in bright condition crude basic tang never signed. Wood saya & tsuka possibly cherry wood capped with stag horn (antler) and tied withsplit bamboo (decorative0. Not a peasant’s tool too expensive. Well off Samurai Lords and merchants did gardening as a hobby and carried these. This mount is pure folk art by artist in wood and bamboo not signed. Most of them sold off to foreign collectors in the late 19th century”. In his illustrations he describes total length as 13 ¾” and cutting edge as just under 8”. He describes the side knife as having “Stag horn (antler) kodjuka hilt size (of knife) overall 7” unsigned blade”. The price for this Samurai knife with expert assessment includes UK delivery. Sn 19377:6