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Nation : British
Local Price : £4250

English Civil War Period Mortuary Sword Circa 1640-1660. An attractive English “Mortuary” sword with a pierced and chased hilt dating to the middle part of the 17th century and the English Civil War and Protectorate periods. The hilt is of typical form consisting of a broad boat-shaped guard plate from which three curved primary guard bars, the knuckle bow and two side guard bars, extend upwards ending in flattened angled terminals screwed through eyelets into the pommel with loop headed screws. Two downward facing secondary guard bars emanate from each side of the knuckle bow near its middle and join the base of each side guard bar to strengthen the structure. The guard plate is covered with chiselled decoration to the outside consisting of a roundel surrounding the tang aperture engraved with foliage. The roundel is surrounded by a band pierced and chiselled inside with wigged heads at each quarter separated by pierced designs of foliage and the heads of beasts. This is surrounded by a plain band. The upturned prow of the guard plate is chiselled with scales. The secondary guard bars to the front are chiselled with simple linear features to the middles. The pommel is globular in shape and has an integral button on top and a pronounced flared neck beneath. It is also chiselled with four wigged heads separated by foliate panels. The spirally grooved wooden grip is wrapped with different thicknesses of twisted steel wire and has steel woven “Turks’ Heads mounted top and bottom. The grip base sits on an iron flanged plug mounted onto the inside of the guard plate from which two langets extend through the tang aperture to flank the blade either side for a short distance from the hilt. The single-edged blade has a pronounced ricasso extending for 1.5 inches (4 cm) from the hilt. At the front a deep narrow fuller runs from the hilt underneath the blunt edge of the ricasso on the cutting side of the blade. At the back a fuller runs from the hilt underneath the spine of the blade to a distance of 7 inches (18 cm) from the tip after which the blade is double edged. A further broad shallow fuller runs from the end of the ricasso along the middle of the blade to its tip. A Blade Maker's stamp of a crown over a crest is applied to one side of the blade in the ricasso. A short distance from the ricasso two counter facing orb and cross marks are applied inside the shallow middle fuller. Between these stamped at the diagonal in capital letters is “CLEMENS” with “SOLIGEN” beneath and “MEFECIT” with “SOLIGEN” beneath enhanced by scrolled engraving. Clearly the blade was made in Solingen by a bladesmith called Clemens. Solingen in Germany was an important manufacturer of blades for use in the English Civil War and huge numbers were imported into Britain during this period for use by both Royalist and Parliamentarian sides. The blade is 32.75 inches long (83 cm) and overall the sword is 39 inches (99 cm) long. For further examples of Mortuary swords see Stuart C Mowbray's “British Military Swords”, Mowbray Publishing, 2013, in the section dedicated to Mortuary Swords, pages 178 to 225. And see Cyril Mazansky, British Basket Hilted Swords, Boydell Press 2005, Chapter 11, pages 233 to 280. The sword is in good original condition overall with some light “salt and pepper” pitting to the blade. The hilt is firm and in good shape with a couple of small minor cracks and slight damage to one of the pommel screws and one of the eyelets.

Nation : British
Local Price : £5900.00

A Sublime Napoleonic Ist Empire French Superior Officer’s Blue & Gilt Officer’s Sword in the Mameluke Style, With Finest Deluxe Grade Chiselled Decor. We Always Try Our Utmost To Offer The Finest or Most Intriguing Pieces We Can From History. With copper mercurial gilt hilt and chequered polished horn grip original gilt scabbard with helmeted Minerva head mounts, twin ring belt fittings with its original, multi looped hanging belt chains, with spring catches. Finely engraved blue and gilt blade. Napoleon's Egypt Campaign, that ended in 1801, many Napoleonic officer's adopted the so-called oriental mounted swords, modelled on the Mameluke taken by him from Murad Bey, commander of the Mamelukes, which he holds in his Egypt portrait captured from the Egyptian Marmalukes {see gallery} that eventually became part of Napoleons Imperial Garde. These swords, in their turn, were captured by the British and similarly adopted as a form of highly favoured officers sword. In fact the mamaluke sabre became the British General's pattern sword that is still in use today. Several of these specific swords were part of a Sotheby's Napoleonic Wars auction in Monaco in 1990, titled "Belles Armes Anciennes Casques et Objects Militaires". The last photo in the gallery is of Joachim Napoleon Murat, King of Naples, brother of Napoleon's Mameluke sword, somewhat similar to our sword, and all based on the sword of Napoleon from Murad Bey. In May of 1804 Napoleon established the French Empire and with it he brought back the title of Marshal of France, also known as Marshal of the Empire at this time. Abolished by the National Convention in 1793, the title of Marshal of France was officially a civilian appointment but reserved for experienced generals. It was an honor to become a marshal and the marshals received higher pay and privileges. Napoleon wished to gain legitimacy in the eyes of Europe since other nations had the rank of field marshal, and he wished to reward and ensure the loyalty of the generals to his empire and thus they wore such swords of this quality and beauty. One of his greatest marshals to wear such a sword was Marshal Marshal of the Empire Étienne Macdonald duc de Tarente Étienne Jacques-Joseph-Alexandre Macdonald. During the spring of 1810, Marshal Macdonald was sent to Spain to take command of the Army of Catalonia. While there he won at Ververa, but in 1811 he fell ill and returned to Paris again. In 1812 Macdonald was given command of the X Corps of the Grande Armée for the campaign against Russia. Macdonald's corps missed most of the fighting of 1812 due to being ordered to hold the left flank, but also due to his command being primarily composed of Prussian and German soldiers, with only his headquarters staff being French. Macdonald's corps laid siege to Riga in August, but they lifted the siege in December during the retreat, just in time for the majority of his force to defect away from the French side due to Prussian nationalism. Napoleon needed experienced commanders for the campaigns of 1813, and in April of that year Macdonald was given command of the XI Corps. He won at Mersebourg and then commanded the right at the Battle of Lützen. Macdonald continued to lead his men into action, winning at Bischofswerda and then commanding the right at the Battle of Bautzen. That August he was placed in charge of multiple army corps but was then beaten by General Blucher at the Katzbach. Nevertheless, Macdonald continued to serve, and he fought at Leipzig , where after the bridge was blown early he had to swim the Elster River to escape capture. After surviving that escape unlike his fellow marshal Poniatowski, Macdonald resumed his command and then fought at Hanau. Marshal Macdonald served during the defense of France of 1814, initially defending the Rhine but then being forced to fall back to Meaux. That February he fought at Mormant and Ferté-sur-Aube and then in March he fought at Provins and Saint-Dizier. By Napoleon's side, Macdonald along with Marshal Ney convinced Napoleon that he should give up the war and abdicate in favor of his son, Napoleon II. Macdonald, Ney, and Caulaincourt were then sent to negotiate with the Allies, but ultimately they were unable to secure the throne for Napoleon's son. When Macdonald returned to Napoleon to deliver the terms of surrender, Napoleon gave him the sword of Murad Bey, the Mameluke leader that he had defeated in Egypt. Minerva, whose helmeted face is depicted and seen on the scabbard mounts, is the Roman goddess of wisdom, justice, law, victory, and the sponsor of arts, trade, and strategy. Minerva is not a patron of violence such as Mars, but of strategic warfare. The blades scabbard has some inside denting at the base, and the blade has some natural age wear to the blue and gilt. Of course this sword’s original owner is now unknown, as none of its history was recorded or saved, however, once accurately known, a sword such as this could be valued anything from treble, to one hundred times its current price, simply depending on how famed he was then or now, or, how important he was to Napoleon and his campaigns. Marshal Nay’s sword for example could easily be valued from one to several million pounds.

Nation : British
Local Price : £5795.00

Presented By The Queen of Spain in 1837 To US General John H Eaton, President Jackson’s Aide in the Creek War, & The War of 1812. Worn in The American Civil War By Col. Magruder The Hero of Fredericksburg, And By Him At The Funeral of President Lincoln. After personal presentation from the Queen of Spain to General Eaton this sword became the property, by inheritance, and was worn, during the American Civil War, by of US Civil War hero of Fredericksburg, Colonel James A Magruder Just at the time the war was threatening Colonel Magruder was with General Meigs in erecting fortification in Virginia around the city. When the war came on he was commissioned as Major of the 15th New York Engineers. His regiment was immediately ordered to the front. The pontoon bridge across the Rappahannock River, at Fredericksburg, Virginia, was built under his directions, he at the time remaining in the saddle for sixty straight hours, under a steady fire from the enemy. Soon after going to the front he was promoted to the rank of Lieutenant Colonel and he held that position until the close of the war. He was a personal friend of General Grant. From the repeated cannonading, Colonel Magruder became deaf, This fabulous eagle hilted sword was worn, after its inheritance from General Eaton, by the friend of Ulysses S. Grant, Col. James A. Magruder, during the Cival War and at the funeral of President Lincoln. Since 1967, for several decades, this wonderful and historic sword was on display at Dumbarton House in Washington DC, a federal historic house museum A simply stunning historical Spanish presentation General’s sword, presented, by tradition, to United States General John H Eaton, Envoy Extraordinary & Minister Plenipotentiary for President Andrew Jackson's America, to the Kingdom of Spain, by Her Majesty Maria Christina de Borbon, Queen Consort, and Regent for her daughter Isabella II Queen of Spain, in 1837. This magnificent sword has a fine tapering double-edged blade of flattened-hexagonal section, stamped 'Ano D 1837' and 'Fa Ntl Di Toledo' on the respective faces at the forte, finest mercurial gilt bronze hilt, cast with wonderful classical ornament in relief, including oval shell-guard decorated with the eagle perched astride the lightning bolts, flanked by classical figures, the quillon-block bears the letter 'F' for Ferdinand' enclosed within a laurel wreath, a pair of straight quillons, knuckle-guard and pommel, and integral grip all decorated en suite, in its blued iron scabbard with gilt-bronze suspensions mounts and drag 76.8 cm; 30 1/4 in blade Provenance; By tradition presented to General John H. Eaton US General J.H.Eaton, Envoy Extraordinary for President Andrew Jackson to Spain, who was married to the ward of President Andrew Jackson. It was presented by the Regent of Spain, Her Majesty Queen Maria Christina in 1837, when General Eaton was Envoy Extraordinary and Minister Plenipotentiary to Spain (1836-1840). Maria Christina of Spain (when Regent for her daughter, the future Isabella II) was Maria Cristina de Borbon, Princesa de las Dos Sicilias; 27 April 1806 - 22 August 1878) she was Queen Consort of Spain (1829 to 1833) and Regent of Spain (1833 to 1840). This sword was thence passed after his death to his friend and physician Dr William B. Magruder; thence to his brother Colonel James A. Magruder, a personal friend of General Grant, who wore the sword during the Civil War and on full dress occasions including the funeral of President Lincoln. Thence by descent and inheritance this sword passed to Mrs. Millicent Magruder Nichols, of Massachusetts, who gifted the sword to Dumbarton House in 1967. Dumbarton House, is a Federal period historic house museum in Washington, DC. The house serves as the headquarters for The National Society of Colonial Dames of America, a group of women whose ancestors contributed to America’s founding. Eaton originally became active in the Tennessee militia, and attained the rank of major. He developed a close friendship with Andrew Jackson, and served as an aide to Jackson during the Creek War and the War of 1812. Eaton took part in all Jackson's major campaigns. He supported Jackson's controversial decision in November 1814 to attack Pensacola in Spanish Florida, claiming that Spain had put herself in a belligerent position by allowing its territory to be occupied by British soldiers. Eaton participated in the Battle of New Orleans, and became a major proponent of Jackson's presidential candidacy following the war. He was later appointed governor of Florida by President Jackson The First Carlist War was a civil war in Spain from 1833 to 1840, the first of three Carlist Wars. It was fought between two factions over the succession to the throne and the nature of the Spanish monarchy: the conservative and devolutionist supporters of the late king's brother, Carlos de Borbón (or Carlos V), became known as Carlists (carlistas), while the progressive and centralist supporters of the regent, Maria Christina, acting for Isabella II of Spain, were called Liberals (liberales), cristinos or isabelinos. It is considered by some authors the largest and most deadly civil war of the period. The Carlist forces were split in three geographically distinct armies: Norte ('North'), Maestrazgo and Cataluña ('Catalonia'), which by and large operated independently from each other. Aside from being a war of succession about the question who the rightful successor to king Ferdinand VII of Spain was, the Carlists’ goal was the return to a traditional monarchy, while the Liberals sought to defend the constitutional monarchy. Portugal, France and the United Kingdom supported the regency, and sent volunteer and even regular forces to confront the Carlist army. This sword was previously on display {donated by the Magruder family} at Dumbarton House Historic Museum, a Federal Period house in Washington D.C. operated by The National Society of the Colonial Dames of America As with every item we sell it will be accompanied with a Certificate of Authenticity, our unique lifetime guarantee

Nation : British
Local Price : £4000

Late 17th century Silver Mounted Hanger by Thomas Vicaridge of London with slave trade associations. An important hanger by the accomplished cutler and silversmith Thomas Vicaridge of London. The hanger is distinctive because of its blackamoor head pommel which means the hanger probably has slave trade associations. The hanger is featured in Howard L Blackmore, “The blackamoor swords”, Royal Armouries Yearbook, Volume 3, 1998, pages 74 and 75, Figs 14a and b. In the late 17th and early 18th centuries when swords were a popular weapon for gentlemen, hangers were a robust secondary side arm used for self-defence when hunting and travelling. They were also used in parts of the British Army and Navy. Hangers appear in some military portraits of the time. The high quality hanger described here was a gentleman's weapon. The knuckle bow is stamped with Thomas Vicaridge's first pre-Britannia maker's mark of “T V” in raised relief inside a shield, with a three point crown above and a pellet below, which dates the hanger to 1682 to 1697. Vicaridge lived in exciting times as London was remodelled in the decades after the turbulence of the Civil War period, the Great Plague of 1665 and the Great Fire of 1666. The city was more outward looking, international trade was growing, military success was being achieved abroad and more interest and investment was being expressed in art and culture. Vicaridge was one of the leading craftsmen of his day and the quality of his work represents the styles and fashions of late 17th and early 18th century Baroque London. The hilt is comprised of a bold faceted quillon block with a downward facing flattened circular rear quillon pierced and chased with a cherub's head on top of a double scroll. The knuckle bow is of flattened oval section and swollen in the middle where it is pierced with a foliate panel inside a cartouche on each side. The pommel cap is scalloped around its folded edge which envelopes the natural stag antler grip with its pronounced “V” shaped groove on top. The pronounced blackamoor head sits prominently in this groove protected by its sides. The terminal of the knuckle bow is fixed into the pommel rim with the tip placed into the mouth of the blackamoor to emulate the playing of a musical instrument. The grip has a silver ferrule at its base with a scalloped edge. Thomas Vicaridge completed his apprenticeship with Joseph Jones, a London Cutler, on 25th April 1682 when he was sworn “Free” upon completion of his term of servitude at a well-attended meeting at Cutler's Hall. Until 1697, along with other silversmiths, Vicaridge used his own mark as described above and stamped it onto this sword. Two examples of this mark are struck onto a copper plate still preserved at Goldsmith's Hall in London. In 1697, with the advent of the Higher, or “Britannia”, Standard for silver, smiths were required to record a new punch mark bearing the first two initials of their surnames. As a result, Vicaridge recorded the mark “VI” with a crown above and pellet below inside a shield. This mark was used from 1697 onwards until his death in 1715. Only a few surviving edged weapons by this maker are known and all are of high quality. The slightly curved single edged blade is 20 inches long (51 cm) and is forged with a short ricasso and a wide shallow central fuller which extends from the hilt almost to the pointed tip on both sides. A narrower, deeper fuller runs from the hilt underneath the blunt back edge for four fifths of the blade length after which it is double edged for the remainder of its length to the tip. The sword is in good condition and has survived the centuries well. The hilt has retained its attractive shape and contours. There is some wear to the blade which has a consistent layer of light pitting. There are two stamps both on one side of the knuckle bow. One is located underneath the central cartouche and is discernible whilst the remains of the other located above the cartouche is just realisable but only in light of examination of the first. Swords and other valuable ornaments were produced featuring blackamoor heads as exotic adornments for European nobility for centuries before our hanger was made by Vicaridge. In his paper published in 1998 Howard L Blackmore explored the subject of “The blackamoor swords”. In the last part of this study he describes four English silver hilted hangers of the late 17th century with blackamoor heads which he thought at the time was the entire known population. He describes these as the “last of their kind” at a time when the blackamoor had lost much of its mystical appeal and after which it did not appear again in the same manner as it did in the past. By the end of the 17th century black Africans were reduced to being perceived more as slaves and trade cargo. In his conclusion he suggests in explanation for the swords that they may have been made for members of a secret society or bizarre club in London that used the blackamoor head as its emblem. This is unlikely. Figure 15 illustrated by Blackmore shows a sword by Thomas Vicaridge which he dates to around 1700. Significantly the middle of the knuckle guard has a royal bust with a crown above which undoubtedly represents an English monarch. This is not a one-off. A similar bust appears on another sword by Thomas Vicaridge with a blackamoor head pommel recently sold through our business. There were probably many more made which have not survived. The link between the royal bust and the blackamoor head should be explored further. The ruling monarchs of England held a monopoly on the British slave trade through the Royal African Company that lasted from 1660 to 1698. Vicaridge's mark on the sword we recently sold dates to 1682 to 1697. Blackmore dates his Figure 15 to “about 1700” indicating that the date is uncertain. The hanger is described as in a private collection and is not available for examination. It is probable that both hangers were worn as symbols by employees and others to affirm their association with the Company, engaged because of the Crown's involvement in the slave trade, either before or after the monopoly was opened up, and English merchants were allowed access to this business. The bust together with the blackamoor pommel seems sufficient to establish a connection between both these hangers and royal patronage of the slave trade. Subsequently is follows that hilts mounted with the blackamoor heads and not stamped with the royal busts have the same association. The sword featured here is illustrated in Figure 14a and b by Blackmore. However, there are errors in his description. Blackmore dates the sword by its hallmarks to 1702 yet none are present and he does not acknowledge the presence of Vicaridge's pre-Britannia stamp on the knucklebow. Of the four “blackamoor” hangers in Blackmore's paper three are complete and one is a detached grip. So five hilts of this type are now known. Blackmore assumed that the swords may not have all been made by Vicaridge. However, of the population of five, three are known to be by Vicaridge. The marks on the other two are probably too worn to identify a maker or have not been examined well enough. However, the workmanship involved in these two hilts is so similar to the other three blackamoor swords by Vicaridge, and other surviving swords by Vicaridge with more usual pommels, that we can reasonably assume he made all of the blackamoor pommel silver hilted hangers. Some of these other surviving hangers with more usual pommels are discussed in a paper by Leslie Southwick published in the Royal Armouries Yearbook (Volume 5 in 2000) alongside other swords by Vicaridge. The styles of grip, ferrules, guards and quillon terminals are notably similar to the blackamoor pommel group. Taking into account all of the above, production of these blackamoor pommel hangers can be tied to a short time period at the very end of the 17th century and it would seem that Vicaridge alone was specifically commissioned to make these hangers for reasons and by people now unknown who were associated with the slave trade.

Nation : Confederate
Local Price : $3,995.00

Confederate States Armory Cavalry Saber. German immigrant Louis Froelich settled in Wilmington, North Carolina on the eve of the Civil War. In September, 1861, he established the Wilmington Sword Factory in partnership with Hungarian-born Bela Estvan. Shortly afterwards they changed the name to the Confederate States Arms Factory to show their devotion to the fledgling nation and to indicate that they made more than just swords. In March, 1862, Froelich ended his partnership with Estvan. In February of 1863, fire destroyed the Wilmington facility and in March of that year he announced that the armory was being relocated to Kenansville, North Carolina. The new Kenansville factory was raided in July, 1863 by 650 horsemen of the 3 rd New York Cavalry, which reportedly destroyed “some 2500 sabers and large quantities of saber bayonets, bowie knives, and other small-arms”. But Froelich was undeterred and went back to work, continuing to make arms for both the State of North Carolina and the Confederacy. It is estimated that Froelich manufactured as many as 12,000 cavalry sabers of several different styles. The saber offered here features a 35 1/2” single-edged blade with single, broad, unstopped fuller of better quality than found on most other Confederate-made swords. The brass guard differs from other Confederate cavalry sabers in that the two branches of the guard join the knuckle guard at different points, rather than at a single point as found on US sabers. The elliptical guard features the Roman numerals XXVIIII. The distinctive brass pommel is of plain cylindrical form with the top slightly rounded. The original black leather-wrapped grip features 11 turns of single-strand iron wire. Iron scabbard with iron mounts and twin carry rings, retaining remnants of its original red paint (now turned brown). Confederate States Armory cavalry sabers had many variations, both of style and materials. This example being of the most widely known style, featuring the Roman numeral assembly marks on the guard. The iron grip wire and scabbard mounts differed from others of the same style which often used brass, but is totally in line with other known examples. Guard with one bar slightly bent and dark brownish patina; grip wrap showing wear, but complete; blade smooth, with scattered age staining; scabbard with scuffs and some corrosion, its seam being smoother than most other Confederate examples. This type of saber is often called a “Kenansville” cavalry saber, but it could also have been made when the factory was in Wilmington. Overall length 41”, not including scabbard.

Nation : British
Local Price : £3,995.00

Rare 17th Century Flintlock Blunderbuss Pistol by Blanckle. Ref 9267. A Fine Rare 17th Century Flintlock Blunderbuss Pistol by Blanckle. 15&157; overall, 7 3/8&157; two stage copper alloy barrel engraved with acanthus at the flared muzzle & in front of the turned girdle, border engraved octagonal breech becoming polygonal, signed in capitals&194;&160;&194;&160;´I. Blanckle´ along the top flat & decorated with strawberry foliage, a line of wrigglework at the rear, & struck with London proof marks & barrelsmith´s mark, probably of John Blanckle, foliate engraved tang , border engraved rounded lock signed in capitals & decorated with strawberry foliage issuing from the mouth of a male profile head, engraved cock. Walnut moulded figured full stock with drop shaped apron around the barrel tang, copper alloy mounts comprising pierced foliate scroll side plate engraved with beadwork, escutcheon engraved with a male portrait bust wearing a cap against a finely dotted ground, rounded pommel cap engraved with a flower head centred on the retaining screw & with a border of repeated foliage, trigger guard with pointed finial & engraved with scrolling foliage issuing from the mouth of a monster head, baluster ramrod pipe, later capped wooden ramrod. Late 17th century.&194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160;&194;&160; Blunderbuss of this age are very rare, this example restocked with a later side plate & replaced mainspring, John Blanckle (also Blanckley, Blanckly and Blankley) was apprenticed to Thomas Towle and turned over to Thomas Cox in 1699. He was free of the London Gunmakers´ Company in 1677. He was Contractor to Ordnance between 1682 and 1700, the year of his death.&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160;&194;&160; &194;&160; &194;&160; Provenance Professor David Weaver Collection.&194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; &194;&160; Images courtesy of West Street Antiques (https://antiquearmsandarmour.com/)

Nation : German
Local Price : $3,995.00

European Shell Guard Rapier, First Half 17th C. Featuring 33″ (83.8 cm) double-edged blade of lens section with twin central full-length fullers, stamped “XIHSX” on both sides in the fullers. Iron hilt with two upturned side rings, each filled with a pierced and embossed shell guard. Decorative chiseled quillon block, reverse quillon with chiseled spherical finial, forward scroll quillon, and knuckle bow with central knob chiseled ensuite. Ovoid pommel with large button, chiseled with human figures, beasts, and grotesque masks in low relief. Wood grip with alternating single-strand and twisted iron wire wrap, and finished with Turks heads top and bottom. Metal with light pitting and rust marking, with gunmetal gray patina; shell guard loose. Overall length 40 1/2″ (103 cm). Unique and attractive rapier. Probably German or Italian. Provenance: The prestigious Russell Char Collection, Las Vegas.

Nation : British
Local Price : £3,950.00

Royal Victorian General Officers Sword – Prince Arthur. Royal Victorian General Officers Sword belonging to Prince Arthur. Arthur William Patrick Albert was Queen Victoria favourite son and became Duke of Connaught and Strathearn in 1874. He entered the Royal Military Academy, Woolwich, in 1866 and did well in the army, becoming full general in 1893 and field marshal in 1902. He served in Egypt in 1882, commanding the 1st Guards Brigade at Tel el Kebir. The Sword Levee pattern with flat solid blade, etching includes monogram AWP below the coronet for a younger son and brother of a blood royal – Fairbains Crests – to the reverse is the royal garter with same crown above plus VR in a shield. By Wilkinson Sword London number 19350 and complete with matching brass scabbard.